摘要
严歌苓的小说《芳华》(或You touched me)本身就包含了作者对固有人性理论的偏执性理解,但电影导演又由于审美情趣差异和市场取向等原因,对小说原著进行了更加平面化的误读,体现了消费主义盛行时代主流媒体对精神深度的拒绝。
Yan Geling's novel Fang Hua( or You touched me) contains the author's bigotry understanding of the intrinsic theory of human nature,but the film director( Feng Xiaogang) made a more planar misinterpretation of the original book because of the differences in aesthetic interest and market orientation,reflecting the mainstream media in the era of consumerism.
引文
[1]范志忠,张李锐.《芳华》:历史场域的青春话语[J].当代电影,2018(1):39-41.
[2]沈杰群.冯小刚谈《芳华》:我要拍出青春与美好[N].中国青年报,2017-12-19(8).
[3]陈晨.冯小刚:《芳华》才是“我的”电影,骨子里是热的暖的[EB/OL].(2017-12-13)[2018-11-19]. http://baijiahao. baidu. com/s? id=1586654071048640681&wfr=spider&for=pc.
[4]严歌苓.芳华[M].北京:人民文学出版社,2017.