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Image Style of the Tianping Mountain Landscape in the Ming Dynasty
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  • 英文篇名:Image Style of the Tianping Mountain Landscape in the Ming Dynasty
  • 作者:XIONG ; Jingwen ; CHEN ; Xiaogang
  • 英文作者:XIONG Jingwen;CHEN Xiaogang;College of Fine Art, Jiangxi Normal University;College of City Construction, Jiangxi Normal University;
  • 英文关键词:The Ming Dynasty;;The Tianping Mountain of Suzhou;;Landscape image;;Travel atlas;;Literati painting
  • 中文刊名:JLDR
  • 英文刊名:景观研究(英文版)
  • 机构:College of Fine Art, Jiangxi Normal University;College of City Construction, Jiangxi Normal University;
  • 出版日期:2019-06-15
  • 出版单位:Journal of Landscape Research
  • 年:2019
  • 期:v.11
  • 基金:Sponsored by the General Project of Humanity and Social Science in Colleges and Universities of Jiangxi Province(YS18126);; the Jiangxi Postgraduate Innovation Fund Project in 2018(YC2018-S149)
  • 语种:英文;
  • 页:JLDR201903028
  • 页数:4
  • CN:03
  • 分类号:126-129
摘要
Starting from the Tianping Mountain theme painting in Suzhou in the Ming Dynasty, we explore how did the painters and literati in this period shape the image of the Tianping Mountain through their works, thereby reflecting their understanding on many landscapes on the Tianping Mountain. By exploring a series of paintings and poems, we try to analyze the characteristics and cultural connotation of landscape paintings of the Tianping Mountain in the Ming Dynasty, which is conducive to improving position of the Tianping Mountain natural and humanistic landscape in Suzhou.
        Starting from the Tianping Mountain theme painting in Suzhou in the Ming Dynasty, we explore how did the painters and literati in this period shape the image of the Tianping Mountain through their works, thereby reflecting their understanding on many landscapes on the Tianping Mountain. By exploring a series of paintings and poems, we try to analyze the characteristics and cultural connotation of landscape paintings of the Tianping Mountain in the Ming Dynasty, which is conducive to improving position of the Tianping Mountain natural and humanistic landscape in Suzhou.
引文
[1]Sun,Y.L.Calligraphy and painting of Yuding Peiwenzhai(volume 55)//Siku Quanshu.
    [2]Zhu,C.W.Local chronicles of Wu Prefecture(volume 2)//Siku Quanshu.
    [3]Wu,Z.H.(2012).Study on tourism books in the Ming Dynasty(Doctoral thesis).Retrieved from China National Knowledge Infrastructure.
    [4]Sun,Q.Y.(2017).Study on the Atlas of Liangjiang Scenic Spots by Shen Zhou(Master’s thesis).Retrieved from China National Knowledge Infrastructure.
    [5]Wu,G.Y.(2002).Study on style and subject of Shen Zhou’s landscape painting(Master’s thesis).Retrieved from China National Knowledge Infrastructure.
    [6]Luo,Z.F.(2012).Painting and Shen Zhou’s Social World(II).Art Journal,(4),35-54.
    [7]Gao,J.H.(2012).Riverside farewell:Painting in the early and middle Ming Dynasty(1368-1580).Beijing:Joint Publishing.

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