格拉纳多斯钢琴组曲《戈雅之画》的研究
|
摘要
格拉纳多斯是西班牙著名的钢琴家、作曲家和教育家,他是西班牙民族乐派的代表人物,他创作的《戈雅之画》在西班牙钢琴文献中占有重要地位。通过对国内外文献、期刊的研究,对格拉纳多斯生平及其特殊历史背景的解读,我们可以从中更多领悟到其在颠峰状态下所谱就的这部不朽之著之精髓。本文采用沿展的方式阐述,基于音乐界历年来对《戈雅之画》越来越深入的研究和剖析,运用文献法、分析法、比较法、注解法,对《戈雅之画》每一篇章的主题、节奏、架构等通过多角度进行细致的解析。本文还对该部作品中民族风格的来源进行阐述,同时列举出这些浓郁的民族风格在本套组曲中的具体体现。关于如何更好的理解和驾驭这部有着丰富西班牙民族风情的音乐杰作,本文通过对格拉纳多斯的权威诠释者德·拉罗查、道格拉斯·里瓦等多个演奏版本的比照,从演奏风格的角度进行深层次地分析和探究。
Enrique Granados y Campi?a was a Spanish Catalan pianist and composer of classical music and also the teacher of composer Rosa García Ascot. His music suite for piano Goyescas has a unique Spanish style which that made representative of musical nationalism, and which became his most famous work. Throughout all researches and journals about Enrique Granados’life and unique background, we could read about the spirit of Goyescas which is considered as Granados’crowning creation. In this dissertation I utilized method of researching, analysis, comparison and explanation, discussing and analyzing the topic of every chapter, cadence and structure all above in details. The piano writing of Goyescas is extremely difficult to master, due to the fact that it requires both subtle manipulations and great power, which most of them have a strong improvisational feel. Based on the authority pianists as Alicia de Larrocha、Douglas Riva Et cetera interpretations of the works of Enrique Granados, comparison and description from their style to make deepen discussion and research.
Enrique Granados y Campi?a was a Spanish Catalan pianist and composer of classical music and also the teacher of composer Rosa García Ascot. His music suite for piano Goyescas has a unique Spanish style which that made representative of musical nationalism, and which became his most famous work. Throughout all researches and journals about Enrique Granados’life and unique background, we could read about the spirit of Goyescas which is considered as Granados’crowning creation. In this dissertation I utilized method of researching, analysis, comparison and explanation, discussing and analyzing the topic of every chapter, cadence and structure all above in details. The piano writing of Goyescas is extremely difficult to master, due to the fact that it requires both subtle manipulations and great power, which most of them have a strong improvisational feel. Based on the authority pianists as Alicia de Larrocha、Douglas Riva Et cetera interpretations of the works of Enrique Granados, comparison and description from their style to make deepen discussion and research.
引文
A.L. Mason.“Enrique Granados”. Oxford University Press: Music&Letters No.3 (Jul. 1933): 231-238
Barela.”Granados: Piano Music 5”American Record Guide (March–April 2002): 104
Berger, Asya.“Enrique Granados.”Encyclopedia of World Biography, 2nd ed. 17 Vols. Gale Research, 1998. Reproduced in History Resource Center. Farmington Hills, MI: Gale. http://galenet.galegroup.com/servlet/History/
Blier, Steven.“The Great Granados.”Opera News 70, no. 11 (May 2006): 46-50.
Cruz, Santa.“Piano-Roll Recordings of Engrique Granados: A Study of a Transcription of the Composer's Performance”. Journal of Musicological Research, 21:3-19,2002
Goyescas, Spanish Dances and Other Works for Solo Piano. Dover publications. 1987
Hecht, Roger.“GRANADOS: Dante; 5 Pieces Based on Popular Spanish Songs; Goyescas: Maja y el ruisenor; Intermezzo”. American Record Guide (November–December 2001): 114-115.
Hess, Carol A. Enrique Granados: A Bio-bibliography. New York: Greenwood Press, 1991.
Jean-Aubry, Georges.“Enrique Granados.”Musical Times 57 (December1, 1916): 535-537.
Kurihara, Harumi.“Selected Intermediate-Level Solo Piano Music of Enrique Granados: A Pedagogical Analysis”.2005.
Linkowski, Allen.“Granados: Goyescas, El Pelele; Serenata Goyesca”American Record Guide ((March–April 2002).
Newman, Ernest.“The Granados of the 'Goyescas'“. The Musical Times No.894(Aug. 1, 1917): 343-347
Oriental. Lucano.“Falla: La Vida Breve, Granados: Goyescas”. American Record Guide (September–October 2002): 112-113.
Riva, Douglas.“The Goyescas for Piano by Enrique Granados: A Critical Edition.”Ph.D. diss., New York University, 1983.
Stephane Villemin.”Granados: Piano Pieces 4“American Record Guide (July–August 2001): 126
Soyoung, Cho.“Interpretive Issues in Performing the Piano Suite“Goyescas”by Enrique Granados”. Ph.D. diss. University of Cincinnati.
Vroon , Donald R.“Overview: Spanish Music.”American Record Guide 64, no. 5 (September–October 2002): 70-76.
Yoon Soo, Cho.“The Spanish Guitar Influence on the Piano Music of Isaac Albéniz and Enrique Granados: A Detailed Study of“Granada”and“Asturias”of Suite Espa?ola by Albéniz and“Andaluza”and“Danza Triste”of Doce Danzas Espa?olas by Granados.”Ph.D. diss. Austin: University of Texas.
田中千秋.《格拉纳多斯》(グラナドス).レッスンの友」に「スペインのピアノ音楽について. 1992.
[德]古.扬森.(1978)《舒曼论音乐与音乐家》人民音乐出版社,陈登颐编译
梁爽.(2009).钢琴组曲《戈雅画意》初探.硕士论文.西安:西安音乐学院
罗宇佳.(2009).格拉纳多斯与他的《西班牙舞曲》.民族音乐,(4),82-3
罗宇佳.(2009).浅谈西班牙作曲家格拉纳多斯钢琴音乐创作.艺术教育,94
孟醒.(2009).浅析格拉那多斯钢琴曲《戈雅画集》.文化学刊,(5),52-5
田卫平.(1994).音乐与绘画的对照.艺术信息与交流,(4),6-8
肖益清.(2007).钢琴组曲《戈雅之画》研究与演奏诠释.学术论文.上海:上海师范大学
肖益清,曾洁婷.(2008).钢琴组曲《戈雅之画》的抒情性探析.江西教育,(10),15-6
肖益清.(2008).钢琴组曲《戈雅之画》的音响处理.电影评价
肖益清.(2009)试析钢琴组曲《戈雅之画》中的乐思即兴性.星海音乐学院学报,(1),89-3
吴格妮.(2008).格拉纳多斯《十二首西班牙舞曲》的创作特点级钢琴演奏分析研究.硕士论文.重庆:西南大学
吴曦.(2009).传承坚守探索.硕士论文.长沙:湖南师范大学音乐学院
张芳.(2009).浅谈格拉纳多斯及其钢琴套曲《戈雅之画》.资治文摘,(2),173-4
张洪岛.(1983).欧洲音乐史.北京:人民音乐出版社出版
张式谷,潘一飞.(2006).西方钢琴音乐概论.北京:人民音乐出版社出版
郑雅丽.(2007).论格拉纳多斯钢琴作品《爱与死:叙事曲》的戏剧性冲突.安徽文学,(1),47
周薇著.(2003).西方钢琴艺术史.上海:上海音乐出版社出版
朱雅芬.西班牙钢琴音乐的黄金时期.钢琴艺术Piano Artistry,32-6
戈雅.(1998).戈雅画集.江苏美术出版社出版
①李春西方美术史教程[M]陕西人民美术出版社2002年p189
②转引自孟醒.(2009).浅析格拉那多斯钢琴曲《戈雅画集》.文化学刊,(5),52‐5
③引自《世界著名艺术家命运》第13篇《生命狂想曲———德戈雅》。
①引自《世界著名艺术家命运》第13篇《生命狂想曲———德戈雅》。
①参考肖益清:《钢琴组曲<戈雅之画>研究与演奏诠释》,上海师范大学硕士学位论文。
①转引自肖益清:《钢琴组曲<戈雅之画>研究与演奏诠释》,上海师范大学硕士学位论文。①参考肖益清:《钢琴组曲<戈雅之画>研究与演奏诠释》,上海师范大学硕士学位论文。
Barela.”Granados: Piano Music 5”American Record Guide (March–April 2002): 104
Berger, Asya.“Enrique Granados.”Encyclopedia of World Biography, 2nd ed. 17 Vols. Gale Research, 1998. Reproduced in History Resource Center. Farmington Hills, MI: Gale. http://galenet.galegroup.com/servlet/History/
Blier, Steven.“The Great Granados.”Opera News 70, no. 11 (May 2006): 46-50.
Cruz, Santa.“Piano-Roll Recordings of Engrique Granados: A Study of a Transcription of the Composer's Performance”. Journal of Musicological Research, 21:3-19,2002
Goyescas, Spanish Dances and Other Works for Solo Piano. Dover publications. 1987
Hecht, Roger.“GRANADOS: Dante; 5 Pieces Based on Popular Spanish Songs; Goyescas: Maja y el ruisenor; Intermezzo”. American Record Guide (November–December 2001): 114-115.
Hess, Carol A. Enrique Granados: A Bio-bibliography. New York: Greenwood Press, 1991.
Jean-Aubry, Georges.“Enrique Granados.”Musical Times 57 (December1, 1916): 535-537.
Kurihara, Harumi.“Selected Intermediate-Level Solo Piano Music of Enrique Granados: A Pedagogical Analysis”.2005.
Linkowski, Allen.“Granados: Goyescas, El Pelele; Serenata Goyesca”American Record Guide ((March–April 2002).
Newman, Ernest.“The Granados of the 'Goyescas'“. The Musical Times No.894(Aug. 1, 1917): 343-347
Oriental. Lucano.“Falla: La Vida Breve, Granados: Goyescas”. American Record Guide (September–October 2002): 112-113.
Riva, Douglas.“The Goyescas for Piano by Enrique Granados: A Critical Edition.”Ph.D. diss., New York University, 1983.
Stephane Villemin.”Granados: Piano Pieces 4“American Record Guide (July–August 2001): 126
Soyoung, Cho.“Interpretive Issues in Performing the Piano Suite“Goyescas”by Enrique Granados”. Ph.D. diss. University of Cincinnati.
Vroon , Donald R.“Overview: Spanish Music.”American Record Guide 64, no. 5 (September–October 2002): 70-76.
Yoon Soo, Cho.“The Spanish Guitar Influence on the Piano Music of Isaac Albéniz and Enrique Granados: A Detailed Study of“Granada”and“Asturias”of Suite Espa?ola by Albéniz and“Andaluza”and“Danza Triste”of Doce Danzas Espa?olas by Granados.”Ph.D. diss. Austin: University of Texas.
田中千秋.《格拉纳多斯》(グラナドス).レッスンの友」に「スペインのピアノ音楽について. 1992.
[德]古.扬森.(1978)《舒曼论音乐与音乐家》人民音乐出版社,陈登颐编译
梁爽.(2009).钢琴组曲《戈雅画意》初探.硕士论文.西安:西安音乐学院
罗宇佳.(2009).格拉纳多斯与他的《西班牙舞曲》.民族音乐,(4),82-3
罗宇佳.(2009).浅谈西班牙作曲家格拉纳多斯钢琴音乐创作.艺术教育,94
孟醒.(2009).浅析格拉那多斯钢琴曲《戈雅画集》.文化学刊,(5),52-5
田卫平.(1994).音乐与绘画的对照.艺术信息与交流,(4),6-8
肖益清.(2007).钢琴组曲《戈雅之画》研究与演奏诠释.学术论文.上海:上海师范大学
肖益清,曾洁婷.(2008).钢琴组曲《戈雅之画》的抒情性探析.江西教育,(10),15-6
肖益清.(2008).钢琴组曲《戈雅之画》的音响处理.电影评价
肖益清.(2009)试析钢琴组曲《戈雅之画》中的乐思即兴性.星海音乐学院学报,(1),89-3
吴格妮.(2008).格拉纳多斯《十二首西班牙舞曲》的创作特点级钢琴演奏分析研究.硕士论文.重庆:西南大学
吴曦.(2009).传承坚守探索.硕士论文.长沙:湖南师范大学音乐学院
张芳.(2009).浅谈格拉纳多斯及其钢琴套曲《戈雅之画》.资治文摘,(2),173-4
张洪岛.(1983).欧洲音乐史.北京:人民音乐出版社出版
张式谷,潘一飞.(2006).西方钢琴音乐概论.北京:人民音乐出版社出版
郑雅丽.(2007).论格拉纳多斯钢琴作品《爱与死:叙事曲》的戏剧性冲突.安徽文学,(1),47
周薇著.(2003).西方钢琴艺术史.上海:上海音乐出版社出版
朱雅芬.西班牙钢琴音乐的黄金时期.钢琴艺术Piano Artistry,32-6
戈雅.(1998).戈雅画集.江苏美术出版社出版
①李春西方美术史教程[M]陕西人民美术出版社2002年p189
②转引自孟醒.(2009).浅析格拉那多斯钢琴曲《戈雅画集》.文化学刊,(5),52‐5
③引自《世界著名艺术家命运》第13篇《生命狂想曲———德戈雅》。
①引自《世界著名艺术家命运》第13篇《生命狂想曲———德戈雅》。
①参考肖益清:《钢琴组曲<戈雅之画>研究与演奏诠释》,上海师范大学硕士学位论文。
①转引自肖益清:《钢琴组曲<戈雅之画>研究与演奏诠释》,上海师范大学硕士学位论文。①参考肖益清:《钢琴组曲<戈雅之画>研究与演奏诠释》,上海师范大学硕士学位论文。