摘要
以黄安伦先生的《g小调前奏曲与赋格》作为研究对象,从复调音乐创作的逻辑性、前奏曲创作的逻辑性、赋格创作的逻辑性以及前奏曲与赋格的内在逻辑关系,阐释该曲创作的逻辑性思维体现。
This paper takes the Preludes and Fugue in g Minor written by Mr. Huang Anlun as the research object.It explains the logicality of the composition,in terms of the logicality of polyphonic music creation,prelude creation,fugue creation and the internal logical relationship between prelude and fugue.
引文
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