摘要
罗西尼是意大利美声学派新时期的代表性作曲家，他的主要成就在喜歌剧，而《塞维利亚的理发师》则是他喜歌剧的最高成就，本文从声乐演唱专业研究生和演唱者的角度，对罗西尼的歌剧《塞维利亚的理发师》中女主角罗西娜这一音乐形象展开分析，从而进一步了解作曲家在塑造人物形象时运用的独特的音乐表现手法和富于特色的音乐语言，本文将分为绪言、正文、结语三部分进行论述。
第一部分是绪言，首先概述19世纪前期欧洲的社会背景和歌剧状况，从而在人的历史环境和背景下把握作曲家创作这部歌剧的动因与意图。再分析歌剧体裁的发展进程及这一特殊体裁的产生背景及罗西尼是如何发展了这。一他所擅长的体裁的。最后简述作曲家的生平、创作道路及这一成熟之作的创作历程，及简述歌剧故事梗概。
第二部分展开对剧中人物罗西娜角色的分析，这是本论文的重点，将从五个方面来论述。从歌剧的故事情节和音乐中分析作曲家如何运用丰富多样的音乐于法体现喜歌剧的特殊风格，并做到对人物性格的刻画鲜明生动、栩栩如生、富典型性；罗西尼歌剧中的罗西娜和莫扎特笔下的罗西娜在角色塑造上的区别和比较；不同的歌唱家对诠释这一人物的不同理解；罗西娜这一角色不同版本的比较。
第三部分是结论，总结罗西尼的喜歌剧风格如何在罗西娜身上得到集中体现，罗西尼塑造这一典型形象运用了哪些独特的音乐手法，及其对歌剧发展的巨大贡献。
Rossini is a representative composer of the new era of "Bel Canto" School in Italy. The mainly accomplishment of him is the comic opera. And the opera "Il Barbiere di Siviglia" is the best one of all his comic operas. The thesis below aims at the musical analysis of the heroine "Rosina" in the opera "Il Barbiere di Siviglia" in terms of a singer and a graduate student of Vocal singing. Accordingly, it helps to understand the particular way of musical performing and musical language when figuring the role. The thesis is divided into three parts: preface, text and epilogue.
The first part, preface, firstly outlines the background of society and opera performing in Europe in the early of 19th, which helps to understand the purpose and intention of writing the opera under the whole historic background. Secondly, it discussed the developing process of the comic opera, the special context of the new style and the course how Rossini developed the style he specialized in. Finally, the thesis tells the life of the composer, the ways he worked, the process of producing the classical opera, and the general story of the opera.
The second part, which is the most important, makes the analysis of the role "Rosina". And it will be discussed from five aspects. Firstly, it aims at the process how the composer used the abundant ways to represent the particular style of comic opera. Secondly, it discusses the figure of the representative and characteristic role. Thirdly, it compares the role "Rosina" by Rossini with the one by Mozart. Fourthly, it compares a variety of famous singers who has performed the role in the different performing of "Rosina". The last, it make a comparison with different editions of the role.
The third part of the thesis is the conclusion. It includes the style of comic opera by Rossini and the process of the performing the role "Rosina". Also, it involves the particular musical ways of figuring the classical role and its contribution to the development of the opera.
引文
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1、Gioachino Antonio Rossini: IL Barbiere Di Siviglia (DVD), Cecilia Bartoli、David Duebler、Gino Quilico、Carlos Feller、Edith Klaus Bruch, Choir of Cologne City Opera, Radio Symphony Orchestra Stuttgart, Gabriele Ferro.
2、Gioachino Antonio Rossini: IL Barbiere Di Siviglia (DVD), Robert Dean、Max-Rene Cosotti、John Rawnsley. Maria Ewing、Claudio Desderi、Catherine Mccord, The Glyndebourne Chorus, London Philharmonic Orchestra, Conducor Sylvain Cambreling.
3、Gioachino Antonio Rossini: IL Barbiere Di Siviglia (DVD), Vesselina Kasarova、Manuel Lanza、Reinaldo Macias、Carlos Chausson、Nicolai Ghiaurov、Ochestra and Chorus of the Opera House Zurich, Conductor Nello Santi.
4、Gioachino Antonio Rossini: IL Barbiere Di Siviglia (DVD), David Malis、Jennifer Larmore、Richard Croft、Simone Alaimo、Renato Capecchi, The Netherlands Chamber Orchestra, Chorus of the Nethlands Opera, conductor Arberto Zedda.
5、Callas (CD) Conductor by Dirigent.