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[E]scape anonymat et politique a l'ere de la mobilisation globale: Passages chinois pour la communaute qui vient.
详细信息   
  • 作者:Bordeleau ; Erik.
  • 学历:Doctor
  • 年:2009
  • 毕业院校:Universite de Montreal
  • ISBN:9780494565797
  • CBH:NR56579
  • Country:Canada
  • 语种:English
  • FileSize:2234143
  • Pages:328
文摘
The theme of total mobilization is central to the contemporary reflection on the renewing of subjectivation processes and ways of being-together. In the background,we find the question of the compatibility between the human vital processes and modernity,or in other words,the question of the viability of Western civilization. At the core of the diagnosis: the radical insufficiency of the homo oeconomicuss fiction,model of the private individual without meaningful social links and suffering from a sphere deficit. The "coming community" Agamben),the "politization of existence" Lopez Petit) and the creation of "regenerated spheres" Sloterdijk) name as many attempts to think how to go beyond the henceforth improper and senseless form of individuality. But how are we to realize this overcoming? Or more precisely: which crossing to bring the private individual to operate this overcoming? This work is organized around a focal urgency: [E]scape. This concept suggest an immanent horizon of flight: it signs a way out of the private individual and draws a plan of ideality allowing to effectuate this exit. Concretely,this concept commands the production of a series of theoretical an artistic analysis of contemporary thinkers like Foucault,Deleuze and Sloterdijk,of Radioheads Kid A Album,and of different Chinese contemporary filmmakers and artists Jia Zhangke,Wong Kar-Wai,Wong Xiaoshuai,Lou Ye,Shu Yong,Huang Rui,Zhang Huan,Zhu Yu,etc.) These analyses are conceived as passages or itineraries of desubjectivation. They all posit,in one way or the other,the problem of the common and of the being-together,on the threshold of global capitalisms non-places. These itineraries are meant to be liminal,i.e. they constitute as many passages on the line and imply an ethopoietic mise en jeu. Conceptually speaking,they mark a distance with the identity politics paradigm and the critics of intercultural representations. Keywords. Ethopoiesis,contemporary political thinking,Gilles Deleuze,Giorgio Agamben,Tiqqun,Peter Sloterdijk,Chinese cinema,Chinese contemporary art,Jia Zhangke,transcultural studies.

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